Showing posts with label the horrors. Show all posts
Showing posts with label the horrors. Show all posts

Wednesday, 28 December 2011

Bawley (Hearts) 2011: Top 5 Albums of the Year: Hummer


5. SBTRK - SBTRK / Gil Scott Heron and Jamie xx - We're New Here / Radiohead - The King of Limbs

Dubstep/post-dubstep/bass music/the wobble sound/whatever was everywhere in 2011. While the clubs and radio playlists focused on the abrasive bro-step sounds of Skrillex, Nero and Skream there was another set of dubstep artists that were doing something more interesting thing at the other end of the post dubstep spectrum.

With more guest singers than a sewing machine convention the success of SBTRKT's debut record is in its cohesiveness. From the soulful Sampha to the poptastic Little Dragon SBTRKT manages to find the best in his collaborators. The record is full of downbeat electronic pop and I love it.

On We're New Here Jamie xx chops combines, re-samples and remixes Gil Scott Heron's 2010 album I'm New Here. Coming just before Heron's death the album has the feel of a tribute, but a fearless tribute. Opening track I'm New Here is a highlight as is the gorgeous My Cloud and the hands in the air closer I'll Take Care of U.

Using chopped up drum loops (Bloom) and reverb washed vocals (Feral) Radiohead showed that the tools of dubstep could be applied to interesting progressive rock music. The Oxford group further embrassed the genre inviting Jamie xx and SBTRKT (among others) to re-work tracks on the TKOL RMX 1234567 collection.

4. The Horrors - Skying

The Horrors have continued progression from goth punks to dark romantic pop masters. Skying has the band trying their hand at the stadium music of the 80's. The Cure, Simple Minds, My Bloody Valentine all the references are checked but this is more than just a re-cast of what has gone before. Skying is a large sweeping beautiful re-imagination.

3. PJ Harvey - Let England Shake

The album as modern war document. Inspired by the front line artists of wars past PJ Harvey drags her paint brush across the canvas of war touching on aggression, righteousness, loss and the deep dark red of blood.

The albums graphic (I've seen soldiers fall like lumps of meat, blown and shot out beyond belief - The Words That Maketh Murder) and gloomy (There are no fields no trees, no blades of grass, just unhurried ghosts are there - Hanging In the Wire) lyrics are at odds with the inspiring at times pompous music.
Let England Shake is supposedly not a protest album but an observation of wars past and commentary of conflicts present. It is also superb.

2. Bon Iver - Bon Iver

Free from his broken heart/log cabin myth Justin Vernon and band have produced an expansive technology assisted (yes, auto-tune) album of love songs. Drawing on place names real and fictional for song titles Bon Iver takes you on a journey one love song (real and fictional) at a time.

1. TV On The Radio - Nine Types of Light

Released just days before the death of bassist Gerard Smith Nine Types of Light is a strange TV On The Radio record. Minus the walls of static and subversive lyrics the Brooklyn band seem to be (almost) happy.

The new positive agenda is set on opener Second Song made personal on You and then executed with soul on standout track Will Do. The sparse ballad Killer Crane completes the records subdued first half. Before New Cannonball Blues and Repetition increase the pace towards the stadium sized riffs of closer Caffeinated Consciousness.

It took me a while to get into this positive version of TV On The Radio but the sheer number of repeat plays has revealed Nine Types Of Light; my favourite album of 2011.

Friday, 18 December 2009

Bawley (Hearts) 2009: Top 5 Albums of the Year: Hummer





5. The Horrors – Primary Colours

On Primary Colours The Horrors recruited Portishead’s Geoff Burrow and ditched their goth punk in favour of rich moody textured rock. The result is one of the year’s best albums, which helped the band prove themselves to be more than the tidal wave of skinny jeans, haircuts and hype that overshadowed their 2007 debut.


4. Danger Mouse and Sparkle Horse – Dark Night Of The Soul

With its high art concept, Hollywood-style promotion, massive list of contributors, legal battles, 50 pages of glossy art work and David Lynch weirdness, Dark Night Of The Soul was going to be brilliant or a kick in the balls. Brilliant it is - the kick in the balls came when it was revealed that the album will never be released.

3. Fever Ray – Fever Ray

Droning, monotonous and claustrophobic: not words you would normally associate with great pop albums, but then again Fever Ray’s debut is not a normal pop album, just a great one.

2. The Xx – Xx

The self-produced debut album from London upstarts The Xx is gloriously downbeat: delicate guitars weave between trip hop-esque beats while the spoken boy/girl vocals give the feeling that you are eavesdropping on a private conversation.

1. Phoenix – Wolfgang Amadeus Phoenix

Wolfgang Amadeus Phoenix finds the band doing what they do better than anyone else – danceable indie-pop with touches of shoegaze, dabs of ambient electro, a splatter of euphoric highs and lashings of Gallic cool.